Reach for the Sun : 
my heart on a sleeve


 
everDearest,

It must be awful of me to write to you at this time of the night – or morning, as it were, and wear my heart on a sleeve. First things first. 
All indications point to a certain inadmissibility when as you say, one who’s awake at very odd hours tends to lose all coherence and it must only mean that it is unnatural for one to sustain one’s actions for so long. It may not be a point of endurance at this juncture. Doubtless you’re already whirring and thinking, presupposing what utterly shocking news I have for my dearest friend. I have nothing of the sort. I am only slightly aware that I am under scrutiny – this choice of writing materials; and of course my handwriting. At this early hour I daresay I cannot think of a better way to nudge at over analysis and pointed vanity. When it is hardly vanity, but memory. The margins are skewed, that’s obvious. My hands hurt when I write letters. Sometimes I send recorded cassettes of personal scrutiny to far away friends – the ones I haven’t shaken my head to in disagreement or wagged my tongue at for their discourteous behavior. But that’s the written me. The spoken person tends (at times, you’re familiar almost…) to rant against very imperceptible matters. This pencil dances on its own accord, you see. The last of the consort of this year whispered (and none too in a hurry) that I draw words.

What’s that last figure, she said. All the while thinking about our latest familiar mishap. Sometimes when I feel that sleep is almost near (sneaking… very quietly at dawn) I turn over the most pressing concepts and figure out the reason why these things did happen. 
I’m this close to mentioning our conversation involving an idealized video game representation of our initial meeting. 
So but appropriately confrontational. In the carpe diem scheme of things our fictionalized history would have included a pleasant stroll along a quiet beach at sunset with friendly beverages I tow, my coffee and your non sequitur tea. In a perfect world where some say, but then again in a perfect world I would not have to justify anything either you or I say. And there are a hundred questions I’m waiting to ask you. Your name and the distinct sound it makes when worked into a song that somebody wrote for you: but then quite ill-advised the wheels turned  and this person caused your will to rise in the offset manner of all displeased children of the Moon. So this person no longer has any ties with you. If there ever were. Sacrifices must be made and the creatures call out often. I have a song for you, but it is not in your name’s manufacture.

And the oddest hours when I’ve run out of thoughts I laid down at earlier moments, I’m drawn back to you. Consider for the meantime our most pressing detail, our distance. But comfort is where one finds comfort. And I cannot bring myself to ask you any more questions – when there are no distractions. I’ve written miles and miles of these squiggly lines wondering about the color of your eyes. I’ve asked you once and kept your story, your laughing, your hidden smile of a light-hearted flirtation in my mind. 
They’re not blue, my dearest friend says. And so I think more on other hues depending on your mood.

Have you ever played a Game of You ?
When there must be at least two, and the game is played under the auspice of a full Moon. A fire must be well tended, and matters of import when one’s (or with you, that makes two’s) deep in the heart of the nearest woods. We begin by turns, and ladies go first. As you tell of yourself, of what or when, or who you are in the same breath within the span of a riddle. I need not guess, not yet. But if Luck finds you for me an easy mark then your turn is lost. And you and I are realized – if I guessed correct: you Become what you Are, whether object, animal, happenstance, or song. Knowing some part of you I’ll keep near a dance. As I might as well be.

... to be continued.


( the name of la fée avec des yeux de vert 
we deign to keep safe in the Box of Secrets )

the Twenty-Fifth of March @ Three in the Afternoon:

font 14 point Garamond was used to facilitate perusal.
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